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In 1540 San Filippo Neri formed in Milan a Society called "Le congregazione dei Padri dell' Oratorio" (from _orare_ to pray), and we are told by Crescembini that "The oratorio, a poetical composition, formerly a commixture of the dramatic and narrative styles, but now entirely a musical drama, had its origin from San Filippo Neri, who in his chapel, after sermons and other devotions, in order to allure young people to pious offices, and to detain them from earthly pleasures, had hymns, psalms, and such like prayers sung by one or more voices." "Among these spiritual songs were dialogues; and these entertainments, becoming more frequent and improving every year, were the occasion that, in the seventeenth century, oratorios were invented, so called from their origin."[A] Then came the fulness of the Renaissance, quickening dead forms into new life, laying its vivifying touch on the new-born art, music, and making it its nursling. It was church music out of church, fine, stately, what may with seeming paradox be called statuesque, which came to bear the name of _L'Opera_, signifying _The Work_:--but, though born to a heritage of good aims, possessed of very inadequate means for their fulfilment.… continue reading »